PALM SUNDAY.  I have some wonderful memories associated with this day and time.  My Dad was the choir director at my home church, for several years, and Palm Sunday evening was often the performance of the annual CHOIR CANTATA (usually one by John W. Peterson…for all of you folks who remember his standards from church choir repertoire in the 1950s & ’60s).  Also, Mom was the resident playwright and director for some truly awesome church productions, complete with soldiers, disciples and angels.  As an only child, I was usually involved in all of that, just because if Mom & Dad were at the church, so was I.  Later, when I was writing music, Palm Sunday and Holy Week became the times when some of my own music was performed at worship…some of those pieces are still some of my personal favorites.

Then, of course, my all-time favorite PALM SUNDAY was more than three decades ago when my oldest son, Cameron, was born (I think that was the only time in my life I’ve missed a Palm Sunday Worship Service). 

It may be just me, but growing up in a church family and experiencing Palm Sunday processionals as a child, just as the weather was warming up, enjoying the “dramatic” and “musical” events…it was (and still is) like Christmas in that no matter what else is going on in the world, this is a time set aside for celebration.

One particular Palm Sunday, during my college days in Seattle when my irreverence during serious occasions was maturing, was quite amusing.  During our worship we began with a processional from the back; first the choir (I was a tenor, in the back row), children with palm branches, and then the Pastoral Staff who were all participating in the worship leading.  Most of the staff at the time (I was the Office Manager at this point) were young, and then there was a more mature woman on staff as well, as our professional Church Counselor.  We all took our places and the service began.  The Senior Pastor stepped to the pulpit and addressed the full sanctuary with words of greeting and led in a responsive reading (the usual, from the Gospels, recounting the Jerusalem processional).

Suddenly, jumping from her seat next to the song leader, our Counseling Pastor, during a calm part of the reading, quickly moved to the center of the platform and started, what seemed like, an odd sort of tap dance (on the carpet).  Everything stopped.  We stared, during what seemed like hours, trying to figure out if she was having some sort of Pentecostal moment (surely not), or spasm, (a very fun and rhythmic one, if that was it) or just what.  When suddenly a small girl in the front of the sanctuary jumped up and yelled excitedly, “A dance!” as she started clapping and “dancing” along with our Associate Pastor.

Well, by that time, the confused congregation (especially those of us in the choir and close to the front) weren’t certain about what to do.  By that time our female Associate had stopped “dancing” and was watching the little girl.  She then moved down the couple of steps to the girl, took her hands and started to dance with her.  The pianist began to play the song we had just sung and some clapping began.  We began to get caught up in this strange, impromptu dance party, in the middle of what had been a carefully-planned worship service.

The whole thing lasted only a moment.  When the song ended everyone clapped, and our Associate moved to the pulpit to explain that one of the candles had lit a palm frond end on fire and a little ember had floated down to the carpet where it began to burn.  Our vigilant Associate was the only one who noticed.  Thereby, she jumped from her seat, scurried to the burning carpet and began stomping it out with her high-heeled feet.  It wasn’t apoplexy or the Holy Spirit…it was a small fire…which looked to us like a dance from a person for whom dancing wasn’t a part of her perceived nature.

But for that moment a misunderstood action turned into a spontaneous dance party and the agenda was set aside.

Two-thousand years ago, Jesus could have stopped the procession on the way to Jerusalem and given everyone a lesson in WHY He was entering Jerusalem, and WHAT He was going to do. But, for the crowds at least, He let it go, He let them celebrate.  They were misinterpreting what was going on, but Jesus didn’t stop the praise, and knew it was futile to try.  He also understood there is a time for everything, present circumstances don’t override expressions of joy.  In THE Kingdom, there is ALWAYS a reason to dance.

That is, I guess, what the pageantry, music and drama of PALM SUNDAY and HOLY WEEK are for me.  No matter what else is going on in the world, and much of the world around us is in chaos, because of who HE is, and because of WHAT is certain and sure in our future…it IS appropriate to interrupt the agenda and dance.

I don’t know if you’ve seen the “11 Seasons of Indiana” (here they are, for your information):

1. Winter
2. Fool’s Spring
3. Pot Hole Period
4. Second Winter
5. Spring of Deception/Pot Hole Season 2
6. Third Winter
7. Actual Spring/Pot Hole Season 3
8. Summer
9. False Autumn
10. Second Summer (1 Week)
11. Actual Autumn

…but POT HOLE SEASON seems to hang on (like a cough after a 60-year-old man’s cold) long after Winter and Spring have come and gone.

Pot Holes; the inevitable result of cold and moisture slowly, insidiously, working its way into the pavement and breaking it apart (there’s a sermon right there!).  Last year I replaced not one, but TWO tires due to those “satanic land-mines of doom”.

However, since I do believe that all Spiritual Truths have a Physical Metaphor, I looked (as I was standing by the side of the road last year waiting for AAA) for a lesson in the Pot Hole. Actually I didn’t have to use a lot of imagination.  The pictures are pretty clear.

POT HOLE SYMBOLISM – If one looks at a Pot Hole as the inevitable obstruction along the road of life – caused by whatever reason – then some metaphors immediately come to mind:

1. Take Pot Holes seriously. If I hit one, it’s not just hole in the road, it could cause enough damage to hurt me, hurt YOU, AND make it impossible for me to get anywhere down the road.  Sometimes I don’t take “pitfalls” seriously enough.  Humans make mistakes. Life deals cards that are sometimes a good hand and sometimes not.  But if we don’t prepare for obstacles (before they happen), we don’t take the consequences seriously enough and are hit twice as hard.  Let’s not get so secure in our protection from God that we forget what life around us is like…and prepare for it.  Again, like the Apostle Paul says, “put on the whole armor…SO THAT WHEN THE DAY COMES…”

2. I may not be able to prevent them, but I can sometimes avoid them. When it comes to poor choices or “walking close to the edge”, how many pitfalls in life could I avoid if I just avoided getting close?  Temptation not in my control is one thing (and, since we know Jesus was tempted, and Jesus didn’t sin, then temptation alone is not a sin), but what I call “tempting temptation” is MY responsibility completely.  The Apostle Paul tells us to avoid anything that would tangle us up and cause us to “lose the race”, that’s not always “sin”, it could be anything that slows us down from our primary objective.  When possible, avoid using the roads with pot holes…WHEN YOU KNOW ABOUT THEM.

3. Pot Holes are easier to see in the daylight. But some folks just don’t understand what the concept. Jesus and the teaching in the letters of Paul, John, and Peter remind us to “walk in the light”, so that we don’t stumble.  It seems obvious, but some of us tend to like the danger of living on the edge, pushing the boundaries and find ourselves walking (driving) in the dark…unable to see the approaching danger.  Stay in the light.

4. Don’t travel too fast. There is a fine line between confidence and recklessness.  By not recognizing, ignoring, or not caring about the danger of obstacles/pot holes I get complacent and start driving too fast.  Although I am personally guilty of driving my body and my life at reckless speeds sometimes, I preach (to myself and others) that to not be “in the moment” is to miss out on “God moments”.  I have a “mantra” I try to live up to, and one I preach/teach:

“Every moment has its time.  Every person has their place.
Do not brush by any moment, no matter how bad, or any person, no matter how uncomfortable.
In doing so, you may miss the miracle God has on His agenda for you,
and you may miss the opportunity to be someone else’s miracle.”

I will keep my eye on the ultimate goal, but I also need to consistently be aware of my current surroundings, not just because I’ll miss out on something good, but also so I can recognize obstacles as they approach, and see them for what they are.

5. Sometimes you’re the follower. Sometimes you’re the leader.  This year I found myself suddenly on a busy Indianapolis road that was pockmarked with deep Pot Holes.  Having not driven on the road since Autumn I was unaware of the dangers and immediately got behind someone else who seemed to know the way better than I did.  I slowed when they slowed, I dodged when they dodged…it helped to have someone in the lead.  Later in the week I was driving to a notorious minor stretch of road with at least a dozen holes all together.  Behind me, and I mean RIGHT behind me, was a person not wanting to follow the speed limit (in Edgewood where the speed limit is the 11^th Commandment) and I came to the place, tapped my brakes and went into the left lane to avoid the dreaded war zone.  I looked in my back mirror and saw the car begin to take the opportunity to pass me on the right…they immediately hit the first hole and stopped (unhurt) and slowly followed me the rest of the way, a safer distance behind.  Sometimes you follow.  Sometimes you lead.

6. It helps if you’ve traveled that road before. Through the obstacle courses that are “Pot Hole Season” in Indiana, there are a few places I have now come to know and can smoothly turn, swerve, and brake, like a strong slalom skier in the Winter Olympics. Because I have to travel that road, and have been there before, I know where the pitfalls are…and I avoid them.  I’ve heard so often, and sometimes say, “I wouldn’t wish what I went through on my worst enemy, but I wish everyone could be where I am now, on the other side.” Another reason to not brush off even the bad moments is that hitting a pot hole teaches us, strengthens us…not only for ourselves, but to be there for someone else who is traveling down the same road.

 Pot Hole Season isn’t one of my favorite times of year in Indiana, but I CAN say that I’m stronger for it.   My prayer is that you avoid the damage done by unavoidable pot holes in life, and that you may never be the cause of someone else’s obstacle in life.

Knowing that eventually the pot holes will be patched, the roads will be smooth, and all will be well (if only for a short time, till the next winter) also helps me get through.  Another lesson of the season is our constant message and lesson:

Everything will be OK in the end.  If it’s not OK, it’s not the end.

 “Weeping lasts for a night, but joy comes in the morning.”

We are approaching the Birthday of one of my favorite personalities in all of the world’s artistic history: Leonardo DaVinci (April 15^th).  One of my personal heroes, Leonardo was one of those few sparks of miraculous talent who combined all the arts and sciences into one incredible, fluid existence.  His mind was capable of almost anything and his ability to question everything led him to seek out answers about creation that took scientists some hundreds of years to come to the same conclusions.

His work in art, architecture and mechanical engineering are well-known, but did you know that he was also a chef and a musician?  He was a theatrical producer, who created some of the most-discussed pageants (which included dance, song and amazing technical sets) of his time, for patrons with the right amount of money.  His works involved actual moving planets that danced with human dancers on a stage lit by candlelight and a backdrop of stars…all combined with music HE wrote, sometimes played on instruments HE invented.

One striking concept which Leonardo introduced to the painting world of the Renaissance was the idea, captured best in the Italian word, of “sfumato”.  No, it’s not a type of tomato…it means, “to go up in smoke”, or “mist” or simply “smoked”. 

This concept of things in the distance fading into a mist, so that their details are lost (in contrast to the very detailed foreground) is evident in the background of his most familiar painting, la Giocanda or as we know it, Mona Lisa.  Here is a woman with a mysterious smile, and behind her there is a landscape that fades to dark, mist, smoke.  This effect was made by first painting the detail and then covering it with layer-upon-layer of thin painted mist.  This created ambiguity (“having more than one possible meaning”, “not clear or decided”), Leonardo believed, was more realistic to not only what the human eye could take in and focus on, but also was a philosophical statement of belief: there are some things that SHOULD remain and be accepted as ambiguous, as unknown. 

That philosophy was in sharp contrast to the belief of the day, during the Renaissance, that everything should be found, discovered, figured out and defined.  The Renaissance was the “age of man” and “age of reason” where humanism reigned supreme…there were no mysteries that humans couldn’t unravel.  But it took the artists to remind the thinkers that there are many, many things we will NOT be able to define.

I bring all of this up to say, there are some things in life, and especially in spiritual life, that are beautiful, true and good because they are ambiguous.  We live in a type of Renaissance today.  We believe that we are “enlightened” enough to define all things.  We, in the church, not only fall prey to this thought but sometimes argue with our detractors and rush to quickly give answers to all the questions the scripture seems to throw at us.

As we, at CENTRAL, are at the beginning of this journey through the scripture we together are running into many things we don’t understand.  Some of those things simply require some background and historic commentary to give us the perspective of life when the words were written and heard for the first time…so that we can translate them into the minds of a 21^st-Century believe & follower. The Spirit is with us to translate, but there are times when all those resources will fail to give us satisfaction as to what was actually going on, what God was saying, and what the lesson is for us…and that is perfectly fine, and that shouldn’t shake our faith.

 Accepting the ambiguous, realizing that (as Shakespeare said well) “There are more things in heaven and earth, Horatio, then are dreamt of in your philosophy.” (HAMLET).  There are passages in scripture that we may never figure out until the Age-to-Come, there are doctrines and philosophies evident in the times we read about, that are foreign to us.  And there are simply things that we will never understand.

As long as we keep the balance between SEEKING THE SCRIPTURE as God has commanded us to do: finding the Truth by study…and EMBRACING THE AMBIGUITY, and not using that as an excuse for NOT studying (i.e. “Well, I’ll never understand it so I’m not going to try.”), then we are doing what is required of us…using everything in our power to KNOW GOD, and accepting that there is no end to the journey.

A good friend from church sent me a link to a wonderful clip with Imogene Coca and Sid Caesar from “Our Show of Shows”.  The link is below if you want to see it and have a good laugh.

When I was a High School student, I played percussion in the local symphony orchestra and the High School band/orchestra.  In the band, I played a variety of drums, but mostly “triples” and we played through most of every song, if we had measures of rest it was usually not for more than 4 to 8 measures of counting.

However, when playing symphonic music, even with the variety of instruments that a percussionist is playing during one piece, there is a lot of counting empty measures.  Sometimes the percussionist may play a crash cymbal at the crescendo of a phrase and not play again for 200 or more measures, then play one or two strikes on the triangle.  Sometimes the percussion enhances or echoes another instrument during the piece, sometimes a drum gives a little extra and added pulse to the orchestra for movement.  Sometimes it is the color that is added: sleighbells or woodblock.  And once-in-a-while, when the moon is blue, the percussionist gets a solo line.

That’s what it’s like to play, not only in the percussion section, but in ANY section of a symphonic orchestra: sometimes you harmonize, sometimes you amplify, sometimes you echo, sometimes you solo, and many times you are silent.  The composer and the conductor see how it all works together…but they are oftentimes the only people who see the whole picture…and balances it out for the ears of the audience.

That is a lesson to be learned by those of us in a “community of faith”, where we each have a role, a gift, a “part” to be performed within the whole of this “symphony of faith.”

Each of us, for the most part, receive a copy of our own part.  To believe that we are looking at the ENTIRE SCORE is as ridiculous as believing that the timpani is the only instrument playing in Beethoven’s Fifth Symphony.  There are times when what WE do enhances or harmonizes with another “player”.  There are times to echo what is playing in some other section of Body of Christ.  There are times when the entire symphony plays together, and we are a part of that magnificent crescendo.  There are times when we need to sit, wait, and be silent as other players perform. And then there are times when we are the soloists, and the other players support us.  The One who wrote the song is the One who knows how and when everyone should play their part.  And the conductor follows the instructions set by the Composer.

It is that way in the Kingdom.  We are, for the most part, playing a part that we alone can see.  We don’t know anyone else’s part until we hear it, even then, it is not our job to do anything but assure that OUR part is played when it should be, and that we don’t play when we shouldn’t…so that that symphony is heard by the world in the way the Composer intended.

Sid Caesar & Imogene Coca – Your Show of Shows – Classical Musicians

https://www.youtube.com/watch?v=VeV9t2pqHWA

As THE ALLEY THEATRE, here at Central, puts up the second-to-the-last show of the season, I watch all the players onstage and the crew backstage as they prep, rehearse and polish.  I really enjoy theatre, as I have for most of my life.  It is a reflection of life, and a teaching tool like none other.  But everyone must know their roles clearly, even those who aren’t “actors”.

I’ve watched certain characters play their roles as they moved on and off the stage during other productions in other companies.  At one somewhat moving and emotionally-charged drama I started analyzing exactly what it was that caused me to find certain players “riveting” while others were simply “fine”.  What I found was the actors who understood their characters’ “prime objective” and acted accordingly were the most interesting to follow.  Every acting decision was precise, they moved with authority, clarity and purpose.  The others were merely reciting their lines.

For an actor, the “prime objective” is what drives the action of the character they are playing.  One character’s PO (prime objective) might be to “get the girl”, and everything that actor does, even those things unrelated to “getting the girl”, stem from the PO.  There may be “minor objectives” along the way, for instance: avoiding another character or pretending to be someone they are not, but the PO is still the driving force for the character, it is the definition of that character, it gives the character purpose and meaning and sets the character’s priorities.  A character’s PO allows for that character and others to “connect”, emotionally, onstage…and that human depth of connection is what separates good theatre from great theatre.

What is YOUR “Prime Objective”?  Do you have an overriding purpose that defines the direction of your life?  Most people do…although they don’t realize it.  A Prime Objective may define itself FOR you, if you’re not careful.  Is your life directed by just trying to survive?  Is your Prime Objective to enjoy every minute, at all costs?  Is your Prime Objective to feel secure by having your life arranged, filed and your bank filled?

For those of us who follow Jesus as the Way, the Truth and the Life…He has told us what our Prime Objective is: “to know God.” (John 17:3 “This is forever life, that they may know You, the One True God, and the One You have sent – Jesus the Messiah.”)    The direction to “get to know God” comes from a “Stage Director” who understands clearly that if “knowing God” is our Prime Objective, then all other objectives, relationships, and plot twists, will fall into place and everything else will be put into perspective.  This “Spiritual Stage Director” understands that “knowing God” is a lifetime pursuit, a grand plan, an energizing force…and so, the “life” is found in the journey.

The danger for any actor is NOT choosing or knowing what their character’s Prime Objective is…when that happens, they are at the mercy of the other actors onstage, they are at the mercy of the script…they wander in uncertain circles…and the audience soon forgets they were even onstage during the show.

Again I ask, what is YOUR Prime Objective in life?  Whatever it is, it will define every scene, every relationship and every outcome…even to the final curtain.  My advice…listen to the Director and LIVE the story, as opposed to just being IN the story.