RICK’S BLOG


LONELY PORCUPINES

LONELY PORCUPINES

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He walked in through the doors from the narthex of the church, where I had just started working as Music Director, and he looked grumpier than usual.

“Oh, good.” I thought, sarcastically.

I looked up from the piano where I was arranging my pages of music before the service that day.  I had not been with this congregation very long and was just beginning to put names with faces, and dispositions.  This man’s disposition, face and name was a combination I learned quickly.  He was never happy about anything.  From the building’s roof to sugar cream pie, he had a opinion, and it wasn’t a good one.

My bad habit of labeling a person (and in some cases then writing them off as someone not worthy of my time…forgive me, Father) had quickly labeled this guy as someone to avoid, someone whose opinion I guessed with every decision I made, whether he was present or not.  And so, he crippled me.  For every fifty or so people who thought I was wonderful, there would always be him.  It was his review, imagined or otherwise, that judged me.

And here he walked, down the aisle, quite possibly to let me know of another disappointment he had in me.

In a moment of weakness, and displaying a rare attribute of “agape” (love actions, despite how one feels), I said: “Hey, how’s it going?”

“The day could’ve started better.” Was his succinct, grim, reply.

OK, here we go.

“I have two identical-looking tubes in the medicine cabinet,” he continued, as my thoughts tried to imagine where he was going with this, “one of them is hemorrhoid cream, the other is Polygrip…I’ll leave the story right there.”

At this point I had an epiphany: this guy was funny (which meant he was intelligent), and suddenly I saw him in a different light.  It happened in a millisecond, but it happened.

He passed me, on his way to take care of something (it turned out to be a leaky baptistery) and as he passed he said one more thing.

“You’re doin’ good…don’t let the b*&%+ds get you down.” (as it says in the Scripture…somewhere, I’m sure)

That was one of three compliments (assuming THAT was a compliment) he ever directed toward me, always in private.  I have remembered it all these years.  He and I also shared some memorably irreverent moments during board meetings, when we sat in the back, side-by-side.

He taught me that I cannot judge the moment or my choices based on one-out-of-one-hundred people.  I cannot base my choices on the reaction it will have on someone who wouldn’t like ANYTHING I do.  He also taught me that irritating people aren’t what they seem…

…they are often “lonely porcupines”, afraid to get close and determined to keep you away.

Every moment has its time.
Every person has their place.
Do not brush away either.
In doing so, you may brush away God’s wish for you
To either enjoy, or be the miracle.

THIS is PATIENCE.

 


CONVERSATION IN THE CROWD

CONVERSATION IN THE CROWD

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First, I really didn’t want to be there: in line at JC PENNYS exchanging and purchasing during the Christmas holidays…ugh (throws head back and rolls eyes).  Even in the best of times I need to “gear myself up” to be in a place with lots of people – I truly am an introvert at heart.  But there I was, along with millions who had thronged there to purchase last-minute gifts, etc.  The cashiers were shockingly patient and gracious, the line was long, and the store was packed (The Chipmunks singing over the speakers only added to my intense desire to be back in my car.)

 And then she started talking.  The woman in front of me.  Did I know her?  I didn’t think so.  I looked up, she was looking at me.  Now, there are many people who know or think they know me – and I haven’t the foggiest sometimes as to whom they might be, but I act as though I know them.  It dawned on me I wasn’t listening to her, and so I smiled and paid attention.

“…I don’t know if Linda would like that or not.” Pointing to the hair-removal thing hanging on the “impulse purchase” stand next to us in line.  “I know she said she wanted one, can you hand me that, please?” 

I did.

“No, she wants the one for facial hair.” 

I am creating a picture of Linda, whom I’ve never met, at this very moment and thinking of the circus.

“Is there one there for faces?  Oh yes, there’s just the one, can you put this back and grab it for me?”

 I did.

“You know since she took the boys and moved, I don’t see her OR them often enough to know what they really like, so I have to hang on every word they DO say to have any hint as to what to get them.”

 I smiled and said something affirming.  She went on.

“Christmas is hard, especially when the family doesn’t talk to each other like they used to.  I certainly hope I can get a gift card up there, do you know if they sell those at the register?”

 I assured her they did, as I saw Hanukkah, Holiday, and Christmas themed gift cards from where I was standing.  We moved forward 8 inches.

“I don’t know what I’ll do for Christmas dinner…last year I went to Cracker Barrel, it was nice and I didn’t really have to do anything but eat.  I miss cooking for them all, but what are you going to do?”

 At this rhetorical question the Spirit stepped in, tapped me on the shoulder, and told me to pay attention.

“No one really prepares you to go from a large family to being alone you know.  Oooo…look at that! Godiva Chocolates…do you really think those are Godiva?  I can’t really afford those, but…”

 “Can I get some for you? I heard my mouth say. 

“What? Oh no, I’m sorry, I didn’t mean…” she sputtered, embarrassed now.

 “I am going to get some for myself anyway.” I lied, “Let me get you some.” 

I picked up the package and held it with my stuff as she continued to talk about “Linda and the boys” until the next register was available.

Then mine was up, next to hers, I paid for the chocolate and all and handed her a package of dark chocolate and carmel.  She reached over, and then she patted (actually patted) my hand and smiled at me…and left.

I stood at the register, paid, and went out of the store.

“What was that about?” I said to myself and the Spirit.

“It was a Christmas miracle.” I heard back.

As I was thinking/arguing that it was hardly a “miracle” for her that SHE found a stranger to talk to in line, about people I didn’t know or really care about…or that I bought her some chocolate.  Even though, as I listened to her go on about life changes, and family dynamics, I realized how bittersweet the season is for some.  As much as I wanted out of that store and away from that crowd, I was thankful for a moment to see a “person” in the “crowd”.  She connected with me, with one person, and for that thirty minutes she wasn’t just a face.

In any case, I said again to the Spirit and myself, “I doubt very much she even remembers our conversation at this moment.  I doubt that I was much of a miracle for her.”
To which I heard, in reply…

“Who said anything about YOU being HER Christmas miracle?”

 


A RICH MAN

A RICH MAN

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It was a tragic story, to begin with.  He was a young father, in construction.  A high school jock who hadn’t lost his physical peak with age.  In his home were his young wife and three small children; girls.  He loved his family, his life was full of simple pleasures.  I didn’t exactly know him, but his parents were members of my congregation.

He lived each day following a pattern that wasn’t a rut, to him.  He rose early, went to work and came home.  But there was one feature about him that seemed incongruous to the rest of him.  He loved Broadway musicals, especially FIDDLER ON THE ROOF.  And so, each day, he would return from a long day of hard labor, greet his kids, kiss his wife, put on the recording of “IF I WERE A RICH MAN” (his favorite of favorites), lay down on the couch and fall asleep till dinner.

One day he did all that, laid down, and never got back up.

Like I said, it was tragic.  But even in this case…well.

The church organist and I were the same age, young.  We lacked the maturity of experience to let inappropriate moments of humor pass through our minds to be nibbled on later.  If the plate was put in front of us, we ate it…or worked hard to not let it tempt us (usually without success).  We were the musicians at the church and therefore were asked to be the musicians at the funeral.  The service was not at our church, but at a small, older, funeral home out-of-town.  This was the type of place where the organ and singer were behind a screen at the back of the platform.  We could see out, but no one could see in and see us.

Most of the service requested was standard fare.  However, the family insisted on my singing his favorite song.  You guessed it: IF I WERE A RICH MAN.

Picture the cast: a minister prone to appreciate the off-kilter humor of human nature, two twenty-somethings who had a difficult time taking anything seriously, a grieving family, an old funeral home…it’s a gold mine.

It was more difficult than I imagined when we practiced.  First off, the mood alone was wrong.  This was a funeral, not a cabaret.  We had to find that musical performance balance between appropriate while still being true to a song THAT WASN’T WRITTEN FOR A FUNERAL.  So, the organist and I KNEW we couldn’t perform it “full-boar”, as if at the Schubert Theatre.  The logistics alone were impossible.  We were tucked in a room large enough for a Hammond B3 and a singer.  There wasn’t enough room there (as my dear Aunt Eva would say) to “cuss a cat without getting fur in your mouth”.  So my friend, the organist, had to play the familiar, “boom-chuck-chuck, boom-chuck” accompaniment (on a Hammond B3, better known for blues, rock and gospel, than show tunes), and I had to read over her shoulder because there wasn’t room for a music stand.  The microphone was fixed to the wall, NOT the wall the organ was on.  The organ was to my left, the mic was to my right.  The melody I knew, the words…not so much.  So I had to look to my left, get as many words in my mind as possible while directing my voice to the mic on my right.  All the while, actually looking at (through the screen) the congregation.

The time came.  Just on the other side of the screen, a mere two feet in front of us, were the chairs for the minister and anyone else speaking at the service, backs to us.  Our Pastor had just finished his remarks, telling the story and meaning of this song to the departed.  He sat down.  She started playing.  I started singing.

It was all going well.  And then the surreal moment hit my friend playing the organ.  By the movement of her back, I could tell she was beginning to chuckle to herself.  Her past history indicated she wouldn’t be able to stop.  It got worse.  This may not be true for you, but for me (and obviously her) if you have to laugh silently, laugh-tears start up.  I was doing fine, but suddenly she was silently laughing and tearing up.  She couldn’t see the music, she turned a page too early, I lost the words.  Then I started.  I couldn’t control it.  This was perhaps the most ridiculous thing (at that point in my life) that had ever happened to me.  I started to sing and couldn’t.  I didn’t know what the words were so I just sang (when I could) “dai-dai-dai…”.  My inner Tevye had left the building.  In a frantic effort to stop the madness I reached over to point to the END OF THE SONG, and ended up 1) accidentally hitting her in the jaw, and 2) falling over a stack of music.

Our Pastor, true to his nature, had his head bowed the whole time.  When we finished in glorious fashion, he rose and gave the longed-for benediction.  It was over.

Well, not quite.

In an effort to sneak out as quickly as possible, we entered the side room where the family had gathered, before getting into the coach and ride to the cemetery.  In horror, I saw the departed’s mother and wife approach us.  They hugged me.  They said how moved they both were at my rendition of RICH MAN, and so touched that I “broke down during the last verse”…it meant so much to them that I was moved as well.

Well, of course.  They couldn’t SEE what was going on, they could only hear it.

I don’t know what you can get out of this story, but to me the lesson has always been this one.  “all things work together for those, and with those, who love God and are called according to his purposes” or even “the Lord works in mysterious ways”…

…or perhaps, “in our weakness, He is our strength.”


THROUGH THE CREATOR'S EYES

THROUGH THE CREATOR’S EYES

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Once again our little winter getaway included some Disney magic.  As we travelled to the somewhat warmer climes of Florida, after Christmas, we took a day and grappled with DISNEYWORD.

I’ll say it again: every time I’m there I am so impressed with their passion for ensuring vacationers have the best vacation they’ve ever had.  Everything, from the height and color of the buildings to the detail in the streetlamps is designed to attract visitors (and snag some of their cash). 

Walt Disney didn’t live to see WALT DISNEYWORLD “in the flesh”, but he saw it before it was built, in his fertile mind. I recently finished a Disney biography, and visiting the park(s) after reading so much about the man (the good and the not-so-good) and his methods, made the trip even more fascinating.   Every spot, every shop, street, ride, window, light, character, etc. is designed to specifications that are attractive to the people who visit – of ALL ages.   In fact, the way DISNEY goes out of its way to make sure that ADULTS (parents and grandparents) have as much of a good time as the kids is also very impressive.

Mr. Disney had a knack of “getting into the skin” of the people he wanted to serve.  He often responded to criticism that he only created a “false escape” from the world by saying that he was not creating an escape, but an ideal world.  Much of it was HIS ideal, HIS memory (MAIN STREET USA – Magic Kingdom) is a recreation of his childhood hometown.  But why do the rest of us also feel so nostalgic on MAIN STREET in THE MAGIC KINGDOM, or comfortable on HOLLYWOOD BLVD in DISNEY MOVIE STUDIOS park?  Part of it is reminiscent design and part of it is design science. For example, many of the buildings are constructed just enough under scale/“smaller than life-size” to make one feel “cozy” and “warm” (that is just exactly what happens on MAIN STREET and HOLLYWOOD BLVD).  And things such as CINDERELLA’S CASTLE in the Magic Kingdom are built with “forced perspective” (the scale gets smaller as it grows higher – to make it seem even MORE tall than it is, without the observer feeling overwhelmed).

It is said that Walt oversaw every detail of THE MAGIC KINGDOM in California.  One of his methods was to get down on his knees in the middle of the park and look around to see if any thing stood out of place – from a child’s perspective.

This year we saw the new STAR WARS attraction, and although half of the world’s population was there, we saw enough to be impressed once more, by Disney design, concept, and their general knowledge of the “people business”.

Also new this year was a transportation system of “air gondolas” suspended high above the parks, called the SKYLINER.  This is a new way to travel from some of the parks to others AND to many of the in-park resorts.  What made this ride fascinating is everything you could see from the air that you can’t see from the ground; the perspective of seeing the park through the eyes of the creators, rather than the visitor.

 Although the entire WDW park system teaches me about God every time I’m there (because I believe, and teach often, EVERY SPIRITUAL TRUTH HAS A PHYSICAL METAPHOR) what struck me this time was seeing ALL the machinery, buildings, and people working round-the-clock whom we never see in the park while visiting.

 Not only does WDW attract every eye and imagination because of the way the creators designed and constructed it, but there are almost as many people “behind the scenes” working to make things happen as there are people visiting the park.  If you work at WDW, in any capacity, you are called a CAST MEMBER.  Once you walk into a part of the park that is occupied by visitors you are “on stage” and when you walk off that part, you are “off stage”.  What is happening backstage is almost more fascinating than the “show” onstage…as is often the case in life itself.

High above the park we saw new construction happening in several places, unseen by the eyes on the ground.  We saw parking lot after parking lot filled, not with visitors, but with CAST MEMBERS.  We saw roads, walkways, mechanisms, etc.  all there to provide for those in the parks who would never see them.

Again, this reminded me of the earth, and life, in general: a place created for us by God.  This place was created to be a perfect place for us, with our perspective(s) and needs in mind.  I can picture God on his knees looking out at the park he was creating (Eden) to see if there was anything out of place or wrong for us.  He even “descended” to us, crawled into our skin, saw through our eyes, heard through our ears, to ensure that we understood/understand everything here is created FOR US.  Everything here is for our use, tailored for our pleasure and fulfillment…and to especially show us that HE is accessible to us, as well.

Behind the scenes/backstage He continues to work, to redesign, to remodel, to build – and beside Him, the multitudes of unseen Messengers – doing work we will never see, fighting battles we will never know about, but we DO experience the results – all for His “park” and the children He created to live there.

Of course The DISNEY Corp. is a business, and they aim to make money.  But they make money by aiming to understand, to know, and to cater to the client who brings in the money.  It is just a small type, or picture, of the single-minded mission of God: to create everything around us to show His love, and to attract us to Him so we will choose to love Him, and walk beside Him – forever.

“Every spiritual truth has a physical metaphor.”

 


COME & SEE (GO & TELL)

COME & SEE (GO & TELL)

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My parents always said they knew I’d eventually work in the theatre.  They knew from the moment they got in the car with me after my first “theatre experience”, because I wouldn’t stop talking about it, and talking about it, and talking about it.

My Dad had been discharged from the Army and we were returning to Washington State, from Frankfurt Germany.  We had flown (via military plane) to New York, where we picked up our VW Beetle to drive across the country back to our home in Richland, Washington.  On the way, we stopped and saw family and friends. One family, Army friends who had also been recently discharged from Frankfurt, had moved back to Kansas City, where they were from and where we visited.  One magical night they took us to STARLIGHT THEATRE, a musical Amphitheatre, still active (since 1950).  It was there I saw my first ever theatre performance, it was a live presentation of THE CAROL BURNETT SHOW.  I was hooked.

That moment sealed my fate.  It was everything: lights, set, costumes, music, dancing, laughter.  And I talked and talked about it.  Dad built me a small theatre stage where I could design sets and set my “action figures” in various roles…he thought that would shut me up, it didn’t.  Any time I heard about a theatre event, anywhere, any time, I forced my parents to take me.  And I never stopped telling everyone about it.

I couldn’t help it.  That experience was life-changing, formative.  No one had to ask me about it, I would gladly start the conversation.  It drove my parents insane.

The tables were turned however, when I made my professional opera debut.  Opera was, to my parents, the ultimate art form, we listened and watched opera on TV all my life.  When I made my debut with Seattle Opera it was, for my folks, the same as if some other parent were to see their child pitch for the majors the first time.  And my parents couldn’t stop talking about it – it drove me insane.

 When I think about that moment in Kansas City, it reminds me of the Bethlehem hills shepherds.  First, they saw the greatest show on earth: an angel choir and soloist – prepared and performing solely for THEM. Then they saw the “star” of the show, the Baby Himself.  The scripture says they couldn’t help but tell everyone about the event.  It was life-changing, it was formative.  No one had to ask them about it, they willingly volunteered the information because the experience filled them so much that the words poured out.

I’m a believer that one can’t “go and tell” unless they have “come and seen”.

I believe if God has truly changed you, if you have witnessed a miracle, if you have suddenly turned around and started going in the direction of life – you can’t help but talk about it.  Likewise, if you’re not talking about it, you’ve either never really experienced it, or have forgotten.

 Experiences, like meeting Jesus for oneself and suddenly experiencing things through HIS eyes, ears, heart, and mind, are life-changing, formative and so fulfilling that one cannot help to pour out the words.  One cannot help but live gratefully because of the miracle that touches anyone who “comes and sees, goes and tells”.

LUKE 2:15-20
When the angels had left them and returned to heaven, the shepherds said to one another, “Let’s go straight to Bethlehem and see what has happened, which the Lord has made known to us.”

They hurried off and found both Mary and Joseph, and the baby who was lying in the feeding trough.   After seeing them, they reported the message they were told about this child, and all who heard it were amazed at what the shepherds said to them.   But Mary was treasuring up all these things in her heart and meditating on them.   The shepherds returned, glorifying and praising God for all they had seen and heard, just as they had been told.

MATTHEW 28:5-7 5
The angel told the women, “Don’t be afraid, because I know you are looking for Jesus who was crucified. He is not here. For he has risen, just as he said. Come and see the place where he lay. Then go quickly and tell his disciples. ‘He has risen from the dead and indeed he is going ahead of you to Galilee; you will see him there.’ Listen, I have told you.”

 

“COME & SEE” words & music by RICK VALE
Vocals: Rick Vale & Jennifer Jones Wilson

 

 

 


TRADITIONS

TRADITIONS

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Well, the tree is up, some parties have happened, some snacks have been snarfed…the season is in full swing.  AND, the Christmas music is playing in my car, on my iPAD, on my laptop and on ALEXA!

Oh, how the years have changed; where I used to pull out the LPs in the back of the shelf, now I “download” it all.  Hearing the music, while enjoying decorations and wassail, takes me back to the years that Mom & Dad would pull out the Christmas LP’s.

The first “album” I ever purchased was the FIRESTONE CHRISTMAS ALBUM WITH JULIE ANDREWS (remember those? One quarter with a fill-up?).  For me, Christmas is not Christmas unless I’m listening to Julie (Mary Poppins) belt out those Christmas songs with the London Symphony Orchestra and arrangements by Andre Previn.  They ARE STILL beautiful recordings, but it’s the memories that the music brings to mind, more than anything else, that puts me in the Christmas mood.

Memories are strong motivators.  In churches, it’s memories of days-gone-by that sometimes determine how people feel about certain times, seasons and events in the Church.  It’s the way a song reminds one of a time, that makes that person want to hear it again and again during worship.  It’s the memory of the “way we’ve always done it” that keeps people from accepting change also.

I spent some time this year truly listening to those Julie Andrews recordings, and asking myself, “Do I love these songs because of the memories, or because they are beautiful in themselves?”  I feel that I listened with discerning, critical, and objective ears…and the answer surprised me: “I love them FOR the memories AND because they are beautiful songs in themselves.”

Sometimes God wants us to re-visit our traditions just to affirm that they are GOOD traditions…and sometimes He wants us to accept change, not just because it’s different and new, but because it just might be what is needed at the time.

When I was younger I was a little less traditional (I’m still very untraditional in many ways), but I find myself loving tradition more and more…it’s what I love about Central Christian (along with the wonderful people).  But I pray that I will never let my “favorite things” get in the way of God’s agenda.

Now…back to “Joy To the World” with Julie Andrews!


SONO QUI

SONO QUI

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On a recent trip we were surrounded on all sides by families with children.  As I age, I have a “love/hate” relationship with crowds.  I like to watch people, especially from other cultures, all together, vacationing: multiple languages, ages…I find that entertaining.  On the other hand, especially the older I get, I am not a fan of crowds.  I still like to be around people, but more and more I like to be on the outside looking in, rather than the middle.

My favorite pastime is observing and learning from human nature, and so, as in any vacation, we found a spot where we could sit and observe.  I love watching people interact, I love multiple cultures together in one place (family and friend dynamics don’t seem to change with the culture or language) and I ALWAYS find that if you’re looking for God to speak to you, He will. 

We sat and watched, on a crowded boulevard, as literally hundreds of families, couples, singles passed by shops and cafes.  Some were families, some couples, some singles, some groups of teens or groups of men, groups of women.  Where we were, we could hear English, Spanish, Italian, Japanese, some Russian, and some German (or Dutch?)…in any case it was a beautiful sight…from a distance.

 The children are especially fun to watch, and parenting, even within one ethnic group and/or age, is always a source of conversation. In this case, there were lots of kids.  I began watching one small boy in particular.  He was small, maybe 4 or 5 years old.  He was Italian (I recognized, though could not translate, the language).  He was seemingly alone…that’s why I kept an eye on him – to see if any parent or sibling was nearby.  He had been distracted by a very colorful car, and was looking in to see if he could get inside.

Suddenly, as if realizing he was in a sea of strangers, some 6 people deep, he stopped and looked around – turning quickly one way and then the other – as his face turned from joy to panic.  I could see from his face he was about to cry, feeling what HE wouldn’t have been able to label, but I could – abandonment.

 He shouted at the top of his little lungs, “Papa!”  Again and again, turning, looking, eyes wide with a little fear.  It all happened in an instant, but probably seemed like ages to him.

But then, the tall young father, who had been standing some 2 feet away, his back turned, turned around and their eyes locked.  The little boy stepped to him, and the man easily lifted him up, kissed him and said one of the few Italian words I could translate: “Sono qui.” (“I am here.”).

 In a flash, and with yet another thankful prayer to the Spirit, I saw in this moment the picture of what happens over and over I life: I pull away, I am surrounded by the crowd of strangers, I feel danger, I feel abandoned, I cry out…only to find that God has never left my side…He lifts me up, kisses me and says, “I am here.”

 This season of “Immanuel (With us is God)” I am reminded that I may pull away, but HE never does.  As close as a hand, a hug and a kiss…is my God.


JUKEBOX

JUKEBOX

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It’s no secret one of my favorite places to hang out after a rehearsal, performance, church or to write and work (while eating and drinking) is SCAMPY’S.  For those of you not from around Anderson, Indiana, SCAMPY’S is a local, family-owned “pizza/pub” with a rich and generous history.  It’s a local “watering hole” and a great place to eat, drink, meet people and have a great time…owned and operated by some pretty cool people.

I’m there quite a bit; an average of twice a week during the theatre season, and sometimes more.  When my schedule is fuller and I need to combine work and dinner – and it’s late in the afternoon or late at night – I’ll retreat there by myself.  I love the staff, they’re like family now, and I always see some other patron I know.  Then they leave me to my work (the amount of sermons written there in 13 years is astounding). 

In the back of the room is a JUKEBOX.  Now, I say JUKEBOX, and that is “technically” what it is, but JUKEBOXES have changed even since I was a kid.  This one doesn’t require you to stand in front of it and push buttons, unless you want to.  It doesn’t even require change – you can use APPLE PAY or your credit card (handy).  But the awesome thing is the JUKEBOX APP for my iPHONE which connects to the JUKEBOX.  I put money in the APP, select the music (from a vast catalogue of virtually every style) and the JUKEBOX plays.

So, imagine this scenario: there I am, either alone, or with an unsuspecting group, and I start to choose some music which then mysteriously plays throughout the room, and no one knows (usually) who has chosen the songs.

The night I got the APP on my phone, and started to use it for the first time, I forgot there was SCAMPY’S (the bar on the other side) and SCAMPY’S ANNEX (where I was enjoying pizza while trying to figure out the JUKEBOX APP – two different places).  I chose my first, inaugural, song to be played on the new-fangled JUKEBOX – “STAIRWAY TO HEAVEN” which I thought was appropriate, both as a patron and minister.

It didn’t play.

Since it was just a few cents for each play, I chose it again.  It didn’t play.

I looked at the APP, the APP said it was playing…I bought yet another “play” of it before I figured out what you already have – I chose the wrong JUKEBOX.  And while I was sitting in the silence of the ANNEX, the bar patrons next door were enjoying three rounds of back-to-back “STAIRWAY TO HEAVEN”! 

Now, I’m sure that was more than irritating for them, though I didn’t go over and check.  To this day I’m not sure anyone understands what happened.

That experience, however, started me on a journey to “alter the mood of my fellow patrons in the ANNEX” with music.  I’ve walked in where various families, groups or couples are quietly talking over their meals when all of the sudden an energetic song that I’ve stealthily placed in the JUKEBOX queue fills the room.  It’s amazing to see the power of music to change the mood and sound of a room.  People become filled with energy: the sounds are not just louder (probably trying to be heard over the music) but also filled with laughter and a little more energy.

 I’m not making this up, the power of music to alter the essence of a place and person is like seeing the change when a light it turned on in darkness, or a smile appears on a face, or someone you love walks into the room.

While I’ve had fun choosing music at SCAMPY’S, the Spirit takes advantage of that time, once again, to teach.  Though music is a more powerful example, I have seen how a small thing makes big changes.  How a kind word shifts an entire day for someone, how a smile to a stranger changes the way they walk as they pass, and how a “thank you” to a server is the “icing on the cake” for someone who may feel transparent to the many customers they have served that day.

Jesus is right.  The connecting to Him is our connection to each other, and visa versa.  When we “do unto others” we “do unto Him”.  The person who makes others laugh, who lifts others up with their words, who smiles, who thanks…who gives, is a person who connects us with each other, and connects us with God.

Our spiritual ancestors understood that God’s commands (mitzvot) were centered around creating connections with each other and forming or maintaining community, with the understanding that God is loved when we love each other.

During these next two “weeks of thanks” take the time to “turn on the music” in someone’s life.  It doesn’t take a special skill, you don’t need the JUKEBOX APP on your phone.  All you need to do is remember what it was like when Jesus Himself, or through someone else, turned the music on for you – and do that: smile, thank, embrace, give, and love.

 “Money spent on a JUKEBOX is never a wasted investment.”
Famous Quotes by RICK VALE

 HAPPY THANKSGIVING – turn on the JUKEBOX.


ART FOR ART'S SAKE

ART FOR ART’S SAKE

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It’s possible that many have never heard of Herb & Dorothy Vogel.  Herb was a Postal Worker in Manhatten (he passed away seven years ago), and Dorothy a reference librarian in Brooklyn.  They were a quiet, cute couple (as described by friends) she was “bookish” and he “cuddly”.  They lived for 50 years in a 450-square-foot apartment in NYC, Herb never made any more than $23k-a-year.  And they never used any of his income to live off of…just hers, which was less…minimal.  They lived simply, ate TV Dinners, didn’t indulge in much except for some pets and one other hobby, which they were passionate about…art.

Herb had some training in Art History/Appreciation, as a young man, and introduced Dorothy to the art world (she was a theatre-music gal) on their honeymoon in Washington, DC (1962).  Through the years they slowly, carefully bought art they loved.  They were not investors nor art dealers, they simply found pieces they both enjoyed and made sure that they purchased them at a “good price”.  Along the way they made friends with several of the artists from whom they purchased: twentieth century painters in need of money…for the most part…thus, the “good deals”.  They only purchased things that they would want up on their walls, and could transport on the subway.  They also went about their hobby with a plan, they educated themselves along the way, they enjoyed their friendships with the artists…and continued to live quiet, frugal, unassuming lives.

It was in the ‘80’s that they realized their lifelong passion of collecting could not be housed in their apartment…so they decided to donate.  Herb had already retired, and when Dorothy retired in 1990 they gave their collection to the National Gallery (strikingly, where Herb had first introduced Dorothy to art appreciation) because the gallery was free to the public and has a policy against “deaccessioning”, meaning their art would never be sold.

Workers from the National Gallery came to NYC and unloaded an unbelievable 2400 works from the Vogel apartment in 5 40-foot trucks.  When the gallery realized that the Vogels had not invested, they paid the Vogels an annuity as a “thank you” for their donation…which the Vogels promptly used to purchase more art…they couldn’t help it, it was their passion.

“If we wanted to make money, we would have invested in the stock market.” said Dorothy.

 Their collection is now considered to be the most important collection of 20-century art in the United States…and what the curator of the National Gallery calls, irreplaceable and priceless.

I found this story incredible on many levels, as an artist and a Believer.

The VOGELS followed their God-given passion.  Although I know nothing of their spiritual lives except that they were/are by ethnicity, Jewish.  Their story shows that God gave them a passion that they followed…against the odds.  They were not the “type” of people others in the world might view as “art collectors”…they didn’t care.  They did what they believed in and let others think what they would.

The VOGELS made a plan and worked the plan.  They didn’t just jump in “willy-nilly”. They educated themselves in their passion.  They methodically, economically and prudently enjoyed the fruit of their love of art.  So many Believers/Followers seem to think that God does NOT work hand-in-hand with our minds and heart…that once a passion (a sermon idea, a song, a project) is planted by Him in our hearts that we then just sit back and listen to His instructions and become robots to His suggestions…which is not evident in ANY place in the scripture or ANY life illustration we see today.  God implants a vision/passion and asks us to partner with Him, to hone our skills, to learn and use our brains to polish and construct what He has given us.

The VOGELS left a legacy of beauty…even though THAT was not necessarily a part of THEIR plan.  In the end were they shocked to hear that their small apartment housed the greatest gift of 20th-Century art anywhere in the United States…that will be enjoyed by millions for years to come?  Did they understand that their belief in artists who were NOT getting the attention of critics at the time, inspired those artists to more greatness?  Did they write that down as part of their methodical plan…no.  But God-given passion* (*and love of things beautiful, good and true ALWAYS comes from God, to the Believer and the Non-Believer alike…God does NOT discriminate)is like all energy, power that does not dissipate.

The Kingdom Principle of a seed becoming a tree is evident in this story as well.

What does this mean for me?  It reminds me to: Follow my God-Given passion, use my God-given mind to carve and polish, and know that love of what is good, beautiful and true is never wasted once I’m gone.

Then I heard a voice from heaven saying,
“Write: The dead who die in the Lord from now on are blessed.”
“Yes,” says the Spirit, “let them rest from their labors, for their works follow them!”
REVELATION 14:13

 


POOR GOD

POOR GOD

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I’m a history buff…I really enjoy “historic trivia”, as you know: interesting but useless information.  Of course, I can’t seem to remember Birthdays, Anniversaries, my license plate number or important stuff like that…but let me read about Queen Victoria’s cousin’s dog and I’ll remember that till the day I die!

Guess what happened today in 1860?  Abraham Lincoln was elected President of the United States. We at Central are kind of connected to this event.  There is a newspaper, in our collection of historic items stored upstairs, on which the front page not only lists our “charter” but also has a schedule of the LINCOLN/DOUGLAS DEBATES in neighboring Illinois, in case anyone wanted to travel by train to get there.

For all the greatness the patina of time has put on Lincoln, I have some southern ancestors who considered Lincoln the “anti-christ”, vilifying him for using scripture to condone aggression…as if that hadn’t been done before.  I’m not sure I agree with that side of my family, however,

God’s name gets used to justify acts that are Godly or not.

Poor God.  I think He can take care of Himself, but truly…He gets blamed for some really stupidly human things.

The scripture was used to argue that all planets revolved around the earth (including the sun) and anyone who taught differently was a heretic.

The scripture was used to argue that the earth was flat, that Jews were evil, that anyone of dark skin didn’t have a soul, that slavery was ordained by God, that women were not allowed to lead or speak in church or anywhere else…and we all know what the scripture is used to argue against these days.

Poor God.

In all of the effort to justify our own prejudices and keep the world around us from growing, from expanding, from changing…we use God as our excuse, and translate the Bible into our own “language”…we use His name in vain as we stamp it on all of our agendas with their conditions and clauses that keep people we don’t like at arms’ length.  It’s been happening for centuries and we still do it…even in church.

Part of the problem is that most of us have a picture of God that is too small.  We have a box that we put Him in, and He won’t be kept in a box.  When He behaves beyond the definition that we have kept in our hearts, we question whether that is really Him.  Is His grace really that large?  Is His Kingdom really that expansive?  Is His love really that unconditional?  Is His reality and His universe really that infinite?

Praise God.

The answer, of course, is to give God back His good name.  That’s what PRAISE is, it is “telling Him who He is”, not because HE needs to know, but because WE need to be reminded.  PRAISE gives Him back His good name.  PRAISE is to be done in front of other people.  PRAISE Him, in front of the people, for the fact that He is NOT the one who says:

“Grace is only afforded to those who go to church.”

“Love is only given to those who follow the rules.”

“Your heart might be in the right place, but if you make the wrong decision or make one too many mistakes I won’t love you anymore.”

No, He’s the one who says, “My grace is sufficient.”  “God so loved THE WORLD…” and “man looks on the outside, but God looks on the heart.” He is the God who does not “label” us, but “loves” us.

The scripture is just one witness to God.  There are many others: the congregation, the Spirit, nature…for example.  And all of those witnesses, combined, still don’t encompass the entirety of God’s being.  So who are WE to label HIM?  Who are WE to decide who He loves, or what He blesses?

Hopefully we, at Central, have gotten beyond the place where we use the scripture to do anything but find a foundation, a beginning of a wonderful friendship with the One who created and preserves us, who fills us with His own breath and shows us (when we are able to see) His Kingdom on earth, as we follow Him.  Let us never misuse His words to argue our own agenda because we have chosen to be the judge of our fellow travelers on earth.  Let us never assume that God fits into our little box of godliness.  Let us always seek for the wonderful, the surprising, and the untamed God that truly allows us to learn for ourselves that the earth is NOT flat, that it is part of a wonderful universal dance that HE put in place, and that there is more to this life than we will ever know until we sit down to dinner in the age to come.

Let us celebrate the God who doesn’t own a “label-maker”, but loves us because of who HE is, not who WE are.